The Making of a Manuscript: TCC B.15.17

The visualization post this week was about making a manuscript and the various different economies, ecologies, and congealing materialities that bring forth parchment, the material support on which a text is eventually written.

One of the things I want to draw attention to in that post and the upcoming ones is the fact that a manuscript is specifically more than a text, and thus requires us to look at it with different eyes and tools than we use for looking at texts.  A manuscript contains, or even embodies texts, but it also is and does myriad other things that all affect the way that it matters–the way it signifies in both a material and symbolic sense.

To highlight what I mean, today we are going to encode and examine Trinity College Cambridge B.15.17, a manuscript with a little more known history than most, and I’m going to draw attention to choices I make in coding that aim to bring the manuscript object itself into focus, rather than just simply the texts contained therein.

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