If there’s one way in which I would characterize Friday’s materialism sessions, I’d say they were “transgressive,” in that each panel sought to overturn or undermine, or just plain do away with the boundaries between disciplines, between objects, and between epistemologies.
The day’s sessions were:
- Quantum Medievalisms by postmedieval, organized by yours truly
- Transgressive Materialities by the Material Collective, organized by Heather Coffey and Holly Silvers
- Material Iberia II: Shaping Bodies in Literature and Art across the Abrahamic Traditions by the Association for Spanish and Portuguese Historical Studies, organized by Jessica Boon
Each of these sessions was sooo good that they could be summarized in a full blog post. See the storified tweets from them here:
Continue reading Medieval Materialisms at the Zoo-Day 2: Transgressions
Day one of #medmaterialism was an exciting one, to say the least!
I’ve storified my tweets of the whole day here:
To roundup all the panels I attended, only half of which were explicitly oriented toward materiality, here is a short list of where I went throughout the day:
- The BABEL Retrospective on 25 years of Carolyn Dnishaw’s Chaucer’s Sexual Poetics
- Romance Materiality II: Romancing the Material
- Romance Materiality III: Materialize or Material Lies?
- Revisiting Remediation–with my paper!
What I found really interesting throughout the papers in each of the panels was their intense focus on both bodies–usually human–and signification throughout. For instance, in thinking about Melusine, Angela Florschuetz was emphasizing the way in which the material bodies of Melusine and her offspring were somehow not being taken as materially significant. They had serpent feet, lion claws coming out of their faces, misplaced teeth, third eyes, etc., and yet throughout the narrative there is no indication that these bodily deformities impeded their basic functioning in the world. Instead, these material realities were reduced to signs of the cursed “seed” from which the children came, a genealogy the family seemed unable to overcome.
Continue reading Medieval Materialism at the Zoo, Day 1: Bodies, Institutions, and Mediation
This is the full text and audio of my paper for the “Disrupting the Archive” panel at George Washington University’s Disrupting DH Symposium including slides in the appropriate places. Podcast recorded by Eileen Joy, and first posted on her blog at In The Middle.
Continue reading GW Disrupting DH and “The End of the Archive”
I don’t want to be overly reflective, but I do want to take a moment to remark on what it was like to be on the “Disrupting the Archive” panel at #GWdh15, George Washington University’s annual Digital Humanities symposium that, this year, was on “disrupting DH.” As M Bychowski points out in her blog, the symposium itself was conceptualized as a way to think about both what is DH, and what is the power of DH?
What happens when academics, activists, and publishers join forces to rethink how we research, teach, and generate knowledge? How can digital humanists mobilize online media and social networks to radically transform the spaces of the ARCHIVE, the CLASSROOM, and the IVORY TOWER?
The first panel was specifically about DH in the archive, and the ways in which it disrupts the archive, with papers delivered by myself and Dorothy Kim (to be posted later). Continue reading Disrupting the Archive
This blog is dedicated to Karl Steel; I cannot think of a better person with whom I would want to build and collaborate and co-create.
Last blog I got carried away with the argument that
we must build to know.
And it’s true. Whether it’s building an experimental set-up that allows us to collect measurements of some kind, whether it’s a form of art that allows us to see some aspect of ourselves or our world that we couldn’t quite see before, or whether it’s simply a palate of post-structuralist theories that allow us to analyze a literary text,
we all use an apparatus to produce knowledge, to take a “measurement” of the universe, in whatever way seems interesting or useful to us.
The thing I love about working across a few disciplinary boundaries, and using computational tools is that it allows me to invent the apparatus I want to ask the questions I want to ask–which usually tend to be questions I feel vehemently that everyone should have been asking all along, and yet I find to my chagrin that they haven’t been. I mean really, how could we not have been talking about what Piers circulates with in the manuscripts? How is that not it’s most immediate textual context? Doesn’t it seem obvious? Well, I guess it isn’t.
Continue reading On Co-creation and Building IV:
In her book Meeting the Universe Halfway, Karen Barad defines an “apparatus” as any configuration “specific material reconfiguring of the world that do[es] not merely emerge in time but iteratively reconfigure spacetimematter as a part of an ongoing dynamism of becoming.” (142)
In Barad’s account, which spins of of Neils Bohr’s philosophy-physics, the “measuring apparatus” for an experiment is the specific set-up that is used to take a particular measurement. What Barad points out, by way of Bohr, is that the apparatus itself is a part of the material configuration that produces a measurement. She doesn’t simply mean what the social constructivists mean–that a phenomenon is “made” by the naming of it. Rather I understand her to be pointing to the fact that a “measurement” becomes a possible articulation of the universe only when a measuring apparatus is in place. And more particularly, that the type of apparatus one uses determines the type of measurement one can get.
In terms of the sciences, this is a very practical consideration. Take, for example, the work on parchment surfaces that I put up earlier in the summer. In order to take a “measurement” of the parchment’s surface, I had to build an apparatus. Ok. I had to have a physicist build an apparatus (my days of building apparatuses in labs seem to be largely over…sort of…at least of building apparatuses with lasers). Our apparatus only allowed us to take a certain kind of measurement, that was accurate on a certain scale, and that may or may not have answered the question we set out to address.
But the success of that apparatus is not really the point. The point here, is that an apparatus had to be built in order to ask the question I wanted to ask of parchment surfaces.
Continue reading On (Collaboration and) Building III: We Must Build to Know
In order for a digital project to really live up to its potential–the possibilities it has over print–it has to include an infrastructure. We have already been working on creating structured data, but now we have to think about building a repository for that data. As long as data is confined to a particular space–be it a book, laptop or even cloud service–it is accessible only through the entry points that medium makes available.
Many formats make it easy to access information, but difficult to put that information into relationship with other information. What is more, that information is largely from a single source (an author) and cannot be changed or updated as new information comes available, nor can it be altered by anyone other than the author.
That is the power of digital projects: by building an online architecture for your data, you make ongoing collaboration and community-sourced data possible.
Continue reading On Collaboration and Building II: Digital Architecture and BL 35157